I went to a demonstration of Chinese ink-painting by Kaili Fu this week, and came back keen to try some of the ideas and techniques. I didn’t have any rice-paper, or the proper ink or brushes, so I had to make do with indian ink, a book of hand-made paper that I happened to have had lurking about the place for ages, and a little acrylic paint.This was the image I liked best, the third that I made. The bottom photo shows it from the side, to show a little how the gold acrylic shines, and the top photo shows it top-down. All the other colour is ink. The influence of Kaili’s ink-painting here is probably just to embrace the fact that the paper absorbs and the ink mixes, rather than trying to fight it! I only used blue, yellow and black ink, and a little water. (you can also see the difference that lighting makes to photographing these!)
This next one was entirely created in inks, and again, trying to embrace the fact that the ink spreads, particularly if mixed with water and applied from a wet brush. (warning, there’s a spider!) This one is a painting of another story from the Silmarillion: Ungoliant poisoning the Golden Tree, Laurelin.
Finally, this was the first I created, and probably closest to the demonstration. It’s a rowan tree. I think I could have applied the red ink with a dryer brush, so I got a more ‘berried’ texture, but I do like the purple swirly hills and the sharp, dry-brushed rocks.